All stuff that was a little expensive at the time, but has done very well. I consider myself to have a very good record collection, lots of really nice original pressings, yet looking at Discogs so many of my most valuable albums are audiophile cuts (Nimbus WYWH, DCC Made In Japan, Classic LZ1, DCC Doors etc). This sort of thing will never deter the hardcore collectors who want mint 1st pressings, but they are often a great alternative and good investment too. It provides a really easy simple way for audiophiles to find at the least very decent sounding copies of titles that where decent condition originals are scarce and obviously carry risk of disappointment etc. It all helps fund the labels and rights holders, some of that will be used to preserve the masters for future generations. PS Can’t see Close To The Edge or Foxtrot making a great 2x45! Some of the dad-rock titles will go to >£200-400 overnight. I certainly don’t feel ‘grifted’ by any of these! If the Acoustic Sounds cuts are limited to 2000 a throw they will be great investments. Click to expand.I find it entirely harmless.
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